Frank Meyer has spent decades in the underground music world, but with Living Between the Lines, he is finally stepping into the spotlight under his own name. The debut solo album, out on Kitten Robot Records, expands on Meyer’s high-energy rock roots by adding shades of blues and soul. The record features 11 tracks and includes guest spots from longtime friends like Lisa Kekaula of The Bellrays, Runaways legend Cherie Currie, and Eddie Spaghetti of the Supersuckers.
Meyer is best known as the frontman of punk rockers The Streetwalkin’ Cheetahs, a group that has built a loyal following through hard touring and relentless energy. Over the years, he has worked with a wide range of artists, from MC5’s Wayne Kramer to Stooges guitarist James Williamson and punk icons like FEAR. His ability to blend different styles while keeping his core sound intact has made him a respected figure in the rock world.
“It meant a lot to have these particular vocalists join me on my solo debut,” Meyer says. “Lisa and I go way back to my earliest days in L.A.’s music scene. Eddie is an old friend and was a huge inspiration for making this album. Cherie saw the Cheetahs early on and helped us get signed, so it all feels full circle.”
Meyer’s love for music started early. As a kid, he and his brother, actor Breckin Meyer, would put on homemade concerts. By his teens, Meyer was playing in Hollywood clubs and recording at Frank Zappa’s house with childhood friends Ahmet and Dweezil Zappa. Since forming The Streetwalkin’ Cheetahs in the ‘90s, he has been a non-stop force in rock, leading bands, collaborating with legends, and even writing books and directing documentaries. Most recently, he joined FEAR as their rhythm guitarist and has been touring and recording with the hardcore pioneers.
With Living Between the Lines, Meyer steps out from behind a band name and fully embraces his own vision. His mix of classic rock grit, punk attitude, and soulful depth makes for an exciting listen. For longtime fans, this album delivers the energy and hooks they expect, while offering a deeper look into Meyer’s musical world. It’s a confident and well-crafted debut that proves Meyer isn’t just part of the scene—he helps define it.