SXSW Film: The Starling Girl by Trish Connelly Mar 13, 2023

Film Review: Attachment by Trish Connelly Feb 20, 2023

Broker Film Review by Trish Connelly Jan 16, 2023

White Noise Film Review by Trish Connelly Jan 4, 2023

Sound Unseen Festival: Meet Me In the Bathroom by Trish Connelly Nov 9, 2022

Nothing: Fantastic Fest Film Review by Trish Connelly Oct 3, 2022

The Innocents Review by Trish Connelly Aug 31, 2022

Bodies Bodies Bodies Review by Trish Connelly Aug 22, 2022

Nope Review by Trish Connelly Aug 8, 2022

Both Sides of the Blade Review by Trish Connelly Aug 2, 2022

The Black Phone Review by Trish Connelly Jul 20, 2022

Sundance Film Festival: Resurrection Review by Trish Connelly Jan 25, 2022

A Force of Elegant Brutality: Todd Haynes’ The Velvet Underground Review by Trish Connelly Oct 26, 2021

Fantastic Fest 2021: Alone With You Review by Trish Connelly Sep 29, 2021

Fantastic Fest 2021: Homebound Review by Trish Connelly Sep 29, 2021

Maintaining Ingenuity: An Interview with Duane Denison of Tomahawk by Trish Connelly Mar 24, 2021

Finding Pleasure in Collaboration: An Interview with Simon Raymonde by Trish Connelly Feb 24, 2021

Ceaseless Evolvement: An Interview with Jeff Owens of Felte Records by Trish Connelly Feb 17, 2021

Bandcamp Friday: Miss Grit, Black Country New Road, Tyson Swindell by Trish Connelly Feb 5, 2021

Sundance Film Festival 2021: At the Ready Review by Trish Connelly Feb 3, 2021

Sundance Film Festival 2021: Cusp Film Review by Trish Connelly Feb 2, 2021

Sundance Film Festival 2021: The Pink Cloud Film Review by Trish Connelly Feb 1, 2021

To the Other Realm and Back: An Interview with The Besnard Lakes by Trish Connelly Jan 26, 2021

Channeling Innovation Within a Label: An Interview with Trevor Peterson of Fire Talk Records by Trish Connelly Jan 14, 2021

The Importance of Physical Spaces: Interviews with Austin’s Local Businesses by Trish Connelly Dec 17, 2020